April 23rd, 2024

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Inbetweens: Jean Gabriel Domergue- Granddaddy of All Pinup Artists

Jean Gabriel Domergue

I love it when I discover a new artist!

The other day, my friend Tony “Superslice” Mora sent me a Facebook message asking me if I had ever heard of Jean-Gabriel Domergue. I hadn’t, but I did some Googling and quickly came up with a new name for my list of favorite “girl artists”. Here is the granddaddy of all pinup painters!

Jean Gabriel Domergue

The interesting thing about Domergue is that his girls aren’t the best thing about his art. They’re sometimes rather loosely constructed with long ostrich necks, and the eyes and mouth are the same formulas used over and over again… No, the best thing about Domergue is his color and brushstrokes. Notice the incredibly bold use of primary colors, some of which appear to be straight out of the tube. Usually, this results in flat, blown out color harmonies, but Domergue is able to adjust the colors around the primary to make it work. His brushstrokes are beautiful and spontaneous. They’re abstract at the same time as perfectly defining the texture and folds of the fabric. Wow!

Thanks to Tony Mora for turning us on to this great painter. Here’s a gallery of images to browse…

Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue

Stephen Worth
Director
Animation Resources

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Posted by Stephen Worth @ 2:04 pm

April 22nd, 2024

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Filmography: I’m Forever Blowing Bubbles (Fleischer/1930)

Fleischer Bouncing BallFleischer Bouncing BallThis Saturday, the archive video guru, Eric Graf sat down to begin digitizing an amazing collection of Fleischer Bouncing Ball cartoons. These were among the most popular cartoons of their day; however, taken out of their original theatrical context, it isn’t quite the same experience viewing them today.

Each cartoon consisted of an animated introduction, followed by an invitation by the narrator to "Follow the bouncing ball…" A singalong section designed to get the whole audience singing was followed by an animated singalong where the characters interacted with the words of the song. If you’ve ever seen any of these films projected on the big screen, you know what fun it is to be singing along, and suddenly have the cartoon characters start cavorting with the words you’re singing.

Fleischer Screen Songs
Fleischer Screen Songs

This film is interesting, because it includes some early attempts at lipsync. The rabbit conductor speaks to the audience in stilted speech, obviously designed to be understood over the primitive theater sound systems of the time. But the stilted speech and the bizzarre drawings create a truly weird and wonderful effect. Drawings this strange don’t happen by accident! Still frame through this scene and check them out. Could it be that this scene might be some sort of animation equivalent of exquisite corpse? Marc Deckter has provided lots of great frame grabs of the crazy lipsync at his blog, Duck Walk.

An interesting side note is that the narrator who refers to the rabbit as “funny boy” is none other than pioneer recording artist, Billy Murray, disguising his natural tenor as a baritone. He narrates many of the Fleischer cartoons of this era, and provided the original voice for Bimbo.

Fleischer Screen Songs
Fleischer Screen Songs

We are fortunate to have over ten hours of Fleischer Screen Songs on Beta tapes. With your support, we have assembled a video digitization station where we can capture video. There’s literally hundreds of hours of cartoons waiting to be digitized… the entire Terrytoons syndication package donated by John Kricfalusi. The Warner Bros and MGM laserdisc box sets, the complete run of Format Films’ Alvin Show, and classic television commercials from the 1950s and 60s. As time and funding allow, we will be adding this material to our database.

Fleischer Screen Songs
Fleischer Screen Songs

I’m Forever Blowing Bubbles (1930)
(Quicktime 7 / 18 megs)

Stephen Worth
Director
Animation Resources

TheoryGrim Natwick

This posting is part of an online exhibit entitled Grim Natwick’s Scrapbook.

THIS IS JUST THE TIP OF THE ICEBERG!

Animation Resources has been sharing treasures from the Animation Archive with its members for over a decade. Every other month, our members get access to a downloadable Reference Pack, full of information, inspiration and animation. The RefPacks consist of e-books jam packed with high resolution scans of great art, still framable animated films from around the world, documentaries, podcasts, seminars and MORE! The best part is that all of this material has been selected and curated by our Board of professionals to aid you in your self study. Our goal is to help you be a greater artist. Why wouldn’t you want to be a member of a group like that?

Membership comes in three levels. General Members get access to a bi-monthly Reference Pack as well as a Bonus RefPack from past offerings in the in-between months. We offer a discounted Student Membership for full time students and educators. And if you want to try out being a member, there is a Quarterly Membership that runs for three months.


JOIN TODAY!
https://animationresources.org/membership/levels/

FREE SAMPLES!

Not Convinced Yet? Check out this SAMPLE REFERENCE PACK! It will give you a taste of what Animation Resources members get to download every other month! That’s 560 pages of great high resolution images and nearly an hour of rare animation available to everyone to download for FREE! https://animationresources.org/join-us-sample-reference-pack/

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Posted by admin @ 10:51 am

April 19th, 2024

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Interview: Bob Givens- Grand Old Man Of Animation

Bob Givens (March 2, 1918 – December 14, 2017)
Thank you for being so generous with us at Animation Resources, Bob. We’ll never forget you.

Bob Givens

In November of 2008, Will Finn, Mike Fontanelli, JoJo Baptista, Michael Woodside and I were treated to nearly three hours of fabulous stories from Bob Givens relating to his half century in the animation business. I’ve included the whole interview as two Quicktime movies…

Bob Givens

You’ll notice that the kinds of stories that Bob relates here are quite different from what you might have read. When I first met Bob, I asked him if he had read any of the books written on the subject of animation history. He was blunt. “A lot of it is bologna. Those books are written by people who weren’t there… people who have never set foot in an animation studio.” This is a sentiment that I’ve heard expressed by a lot of the "old timers" I’ve had the privilege of being able to speak to. But Bob may be the last one left. We’re all lucky to have this opportunity to virtually sit at the feet of a "golden age" animator and hear about his experiences in his own words.

Bob Givens

Bob began his career as an Assistant Animator at Disney. His raw talent led him to be assigned to assist the Grim Natwick unit on Snow White. Please correct me in the comments if I’m wrong, but I believe that Bob is the last surviving member of the Snow White crew.

Private Snafu

During WWII, Bob was a part of the First Motion Picture Unit producing training films for the war effort.

Bob Givens

At Warner Bros, Bob designed the character models for the first true Bugs Bunny cartoon, "A Wild Hare", as well as providing background layouts and story sketches for countless Jones, Freleng, Avery and McKimson cartoons.

Linus the Lionhearted

Givens’ career continued to flourish throughout the television era. He worked on the first TV cartoon, Jay Ward’s Crusader Rabbit, as well as Clampett’s Beany & Cecil, Post Cereal’s Linus the Lionhearted and Hanna Barbera’s The Flintstones. Along with Bernie Gruver, Givens designed the classic "Raid Bug" spots for Cascade, and continued to work steadily into his 80s, retiring in 2001 after laying out Chuck Jones’ Timber Wolf.

Bob Givens

RELATED MATERIAL

John Wayne & Judy Garland in Lancaster, CA
The Lake Norconian "Orgy"
Mentor Huebner’s Film Concept Work
David Swift at IMDB
History of the First Motion Picture Unit

Many thanks to Bob Givens for sharing his experiences with us, to Mike Fontanelli and Will Finn for taking time out of their busy schedules to speak with Bob, and to Michael Woodside and JoJo Baptista for producing this video.

Will Finn posts his impressions of the interview on his blog, Small Room.

Stephen Worth
Director
Animation Resources

Animated CartoonsAnimated Cartoons

This posting is part of the online Encyclopedia of Cartooning under the subject heading, Animation.

THIS IS JUST THE TIP OF THE ICEBERG!

Animation Resources has been sharing treasures from the Animation Archive with its members for over a decade. Every other month, our members get access to a downloadable Reference Pack, full of information, inspiration and animation. The RefPacks consist of e-books jam packed with high resolution scans of great art, still framable animated films from around the world, documentaries, podcasts, seminars and MORE! The best part is that all of this material has been selected and curated by our Board of professionals to aid you in your self study. Our goal is to help you be a greater artist. Why wouldn’t you want to be a member of a group like that?

Membership comes in three levels. General Members get access to a bi-monthly Reference Pack as well as a Bonus RefPack from past offerings in the in-between months. We offer a discounted Student Membership for full time students and educators. And if you want to try out being a member, there is a Quarterly Membership that runs for three months.


JOIN TODAY!
https://animationresources.org/membership/levels/

FREE SAMPLES!

Not Convinced Yet? Check out this SAMPLE REFERENCE PACK! It will give you a taste of what Animation Resources members get to download every other month! That’s 560 pages of great high resolution images and nearly an hour of rare animation available to everyone to download for FREE! https://animationresources.org/join-us-sample-reference-pack/

Sample RefPack

PayPalAnimationAnimation Resources depends on your contributions to support its projects. Even if you can’t afford to join our group right now, please click the button below to donate whatever you can afford using PayPal.


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Posted by Stephen Worth @ 11:53 am